Alice Gancevici & Remus Puşcariu

Researching the political aspects behind Bulgarian village abandonment in the 1980s, we came across what was known as 'The Revival Process', a large-scale assimilation campaign of all ethnic minorities in Bulgaria. Displayed between 1984-1989 by the communist regime in power at the time, the campaign was aimed especially at the largest minority group, the Bulgarian Turks. In 1989, the reactions towards measures implied by the campaign - for instance, forced name-changing - eventually led to a mass exodus of more than 300.000 Bulgarian Turks that crossed the border to Turkey over a period of three months. 
 
In searching for a link between the abandonment of Tsarino and the exodus following the nation-wide assimilation process, our research was continued on-site, in between vestiges - such as mosques, Islamic tombstones or various scraps left behind in the village. We elaborated a series of works concentrating on ideas about migration, abandonment, absence and renewal, constantly adapting our practice and rhythm to the Arcadian surroundings. We were bound to further link our discoveries to the nature of this place, either by interpreting clues we came across or by engaging in slow-paced crafts such as weaving or paper making - a combination of practices we hoped would help us glue together and further take apart our understanding of the equivocal unfolding of recent history as well as of the nature of currently uninhabited, derelict spaces.

Transcripts
 30 sheets of recycled paper
 
The installation consists of communist propaganda publications and bilingual newspapers (Bulgarian-Turkish) from the early '80s that were turned into pulp and reconstructed into blank sheets of paper. Containing a chance-selection of traces, such as random bits of letters and punctuation, these new products provide no accurate trail to betray the original document. The result is an anti-narrative hinting towards the solubility of the past, as well as a resource for new identity to be stamped upon.

The Big Excursion
Performance
Rope, hooks, wall fragment 
B/w photographic documentation
 
The Big Excursion refers to property and its utility — or, rather, futility —  during migration. The handwoven vest, made out of clean white rope is meant to be grafted into the body of the carrier, conjoining him to his belongings. By questioning the mobility of assets in relation to our bodies' mobility, we reveal means of entrapment derived from the notion of home.

A Matter Of Subordinate Nature
Installation 
Household items, dirt, moss, water 
 
Moss moulded onto various items found in the village of Tsarino.

More info: aliceandpuscariu.com

The 5th Column (3 Sketches)
Glass jars, thorns, spines and prickles
 

3 household glass jars were filled with various thorns, spines and prickles, hand-picked from wild bushes and trees. The action of having contained a force by amputation recreates the feeling of unrest rendered within the body of a dominant culture - fear of being overgrown, overthrown, outnumbered; fear towards the possibility of a shift in monopoly. 

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